![]() We did the Steve Allen show too, and that was a real kick in the ass. ![]() We looked at him and smiled, and said, ‘Thanks a lot, Dick’. My manager was a Hell’s Angel, and we were sitting there smoking a hash pipe, and Dick Clark comes in and says, ‘It’s people like you that give rock’n’roll a bad name’. “We were on American Bandstand,” Dickie remembers, “And Dick Clark didn’t like us at all. “We did have a bit of an arrogance, but it was nurtured by people like that criticising us.”ĭespite being heavier and louder and more stoned than everyone else, Blue Cheer had a song in the charts, and so they were forced to make the rounds on Top 40 radio shows and prime-time television programs just like any other band. He was this great accomplished musician and I was this 18 year old smartass,” Dickie laughs. All you gotta do is turn this knob up to 10’. I said, ‘C’mon, Mike, you can do it, too. I remember Mike Bloomfield came up to me at the Avalon Ballroom, and he says, ‘You can’t do that’. We ended up being in a lot of trouble with other musicians of the time. I wanted it to be more than just an audio experience. “They thought we were a detriment to the scene. “People thought we were just making noise,” says Dickie Peterson, from his home in Germany. Unless, of course, you asked the bands they actually had to play with. Summertime Blues climbed the charts, and Blue Cheer were the toast of the town. As with any revolutionary concept, Blue Cheer had its detractors.
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